Album: Handel, Between Heaven and Earth, (Naïve)
French soprano Sandrine Piau flits effortlessly between the Italianate brilliance of "Il trionfo del tempo e del disinganno" (1707), the Arcadian idylls of the "Song for St Cecilia's Day" (1739) and the tortured heroines of "Alexander Balus" (1748) and "Theodora" (1750), darkening or blanching her cool, quirky voice to fit each aria.
Directed from the violin by Stefano Montanari, Accademia Bizantina are lively accompanists, with plenty of sparkle from the harp and archlute, and a supersonic "Arrival of the Queen of Sheba".
Subscribe to Independent Premium to bookmark this article
Want to bookmark your favourite articles and stories to read or reference later? Start your Independent Premium subscription today.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies