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Juliet Stevenson is magnificent in new provocative play The Doctor

As his leaving present to the Almeida, Robert Icke brilliantly re-imagines Arthur Schnitzler’s Professor Bernhardi 

Edinburgh Fringe 2019 review round-up: Beatboxing and baby boomers

Frankenstein: How to Make a Monster and Trying It On are two brilliant shows aimed at different generations, finds Dave Pollock