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From Betrayal to Memento: why create art that goes backwards?

As ‘Betrayal’ returns to the stage, starring Tom Hiddleston, Paul Taylor looks at the vast body of art in which people are shown living their lives backwards – to arresting and revealing effect

William Forsythe interview: 'Isn’t ballet delightful?'

The New Yorker is widely considered one of the most important choreographers working today. Roslyn Sulcas meets him