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Portrait of a Lady on Fire review: Gorgeous and romantic period drama

Adèle Haenel and Noémie Merlant carry the film with ease, projecting pages of unwritten script in the pauses between words

The Day Shall Come review: A strangely muted return from Chris Morris

Though it’s silly and as angry with the world as you’d expect, it never quite digs its claws into the behind-the-scenes machinations of the FBI